dawnawakened:

Johann Ryno De Wet, Underland (2009)

“My methodology for creating images starts with writing down the events of the dream as soon as I’ve woken up. Sometimes I’ll make sketches to help me remember particular visual details of the dream. I use this information to look for subject matter in my environment that has elements matching those of the environment of the dream. I then use digital manipulation to combine different visual elements to create the environments and the atmosphere I experienced in the dream. This is an important part, as it is where I transform my vision into a tangible medium. The meaning of a dream is the most important part, as it forms the backbone of the project. I therefore focus on using dreams that have a lasting effect on me, or is meaningful to me in some way. To me life is an existential journey and dreams can play an important part in learning how to deal with the complexities of living and can help to see things from a different perspective. The materializing of my dreams into images is a process which helps me understand myself and life better.” - Artist’s Statement

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"Water does not resist. Water flows. When you plunge your hand into it, all you feel is a caress. Water is not a solid wall, it will not stop you. But water always goes where it wants to go, and nothing in the end can stand against it. Water is patient. Dripping water wears away a stone. Remember that, my child. Remember you are half water. If you can’t go through an obstacle, go around it. Water does.."

Margaret Atwood (via wethinkwedream)

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abookwormcalledellie:

thewafflemonster:

You know how there’s a theory that no two people see a colour the exact same way.

Does that mean colour is like

a pigment of your imagination.

YOU FUCKING DIDN’T

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